More recently, I create artwork that sets the scene for epic stories to take place. I want to collaborate with animators and writers, and ground their worlds in exciting versions of reality.
Ichigaya
Ichigaya station in Tokyo featuring its iconic fishing platforms.
Crowbar - Pages from a horror zine parodying 80s slashers. I used my good friends from Perth as pathetic camp counsellor victims.
Machete - Pages from a horror zine parodying 80s slashers. I used my good friends from Perth as pathetic camp counsellor victims.
Axe - Pages from a horror zine parodying 80s slashers. I used my good friends from Perth as pathetic camp counsellor victims.
End of the Road
Concept painting in response to the prompt, ‘Hard Shoulder’, for a collaborative horror zine released on Halloween night this year.
Vice and Virtue
Book cover design for the novel, Gentlemen’s Guide to Vice and Virtue. A delinquent lord embarks on a European tour to reform him before inheriting father’s estate.
Stopover
A tribute to Fiona Staples immersive digital comics, using an original character from my own story.
I Can Make a Difference
Portrait of Rebecca Sugar in the world of the animated series, Steven Universe. The assets of the forest and character are divided into layers of clear film like traditional animation cels.
Personal Space
A comic-style cover inspired by a cosmic horror podcast. Personal space examines the experience of loneliness in common spaces like the workplace.
Pogoland
An album cover concept for Australian electronic music artist, Pogo. This album uses diegetic sounds from 1960s Disneyland and samples from the 60s slapstick rom com, Carry on Cruising.
Cul-de-sac
24/7
Comic page for an original story with unassuming apartment buildings, late night meetings and convenient slushies.
Caldera
Background painting concept for a D&D Campaign where the players infiltrate a vampire castle at the base of a caldera. The players arrive at dusk and race to defeat the vamps before nightfall.
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Code: CUA51115 Cricos: 090445C